The architectural features are drawn according to the rules of perspective, with a central vanishing point.
Leonardo used light brush strokes and no lead.
The Virgin, surprised while reading, raises her hand in a gesture of astonishment, and displays a fine-featured face which some have described as cold.
Milano: Mondadori Arte, 2007. .When the Annunciation was x-rayed, Verrocchio's work was evident while Leonardo's angel was invisible.In 1869, Karl Eduard von Liphart, the central figure of the German expatriate art colony in Florence, recognized it as a youthful work by Leonardo da Vinci, one of the first attributions of a surviving work to the youthful Leonardo.He left a note for Leonardo to finish the background and the angel.The product of a collaborative efforts in Verrocchiio's studio, this picture is nonetheless a masterful achievement and proof of Leonardo da Vinci's innate pictorial talent.A flourishing enclosed garden, in front of a Renaissance palace, evokes the hortus conclusus that alludes to the purity of Mary.Verrocchio used lead-based paint and heavy brush strokes.The traditional religious theme has been set by Leonardo in an earthly, natural setting.The first work of the twenty-year old master, The Annunciation is not yet what one would call Leonardesque.His wings too are based on those of a mighty bird of prey.An extraordinary crepuscular light shapes the forms, brings the scene together, and emphasises the dark tree shapes in the distant bionike sconti 50 background, dominated by the blended colours much loved by the artist.The Virgin responds from her dignified seat, behind a lectern, at which she was reading.(I Grandi Musei del Mondo).Archangel Gabriel kneels before the Virgin, proffering a lily.The angel has a solid corporeity, suggested by his shadow on the grass, and the folds of his clothing, which would seem to show studies from real life.Everything in this work is of a high poetic and stylistic quality: the handling of the figures and their attributes, the spatial construction, and the distant trees and watercourse, which attest to the artist's enduring love of nature.Her pose, with knees evenly spread and covered with broad and supple drapery, gives her a strong monumental character.When, tthe Annunciation came to the Uffizi in 1867, from the Olivetan monastery of San Bartolomeo, near Florence, it was ascribed to Domenico Ghirlandaio, who was, like Leonardo, an apprentice in the workshop of Andrea del Verrocchio.Some anomalies can be found in the figure of the Virgin, whose right arm appears too long perhaps a reflection of Leonardos early research into optics, which would have taken into account a lateral viewpoint (from the right) and lowered, due to the original location.
The Annunciation is generally considered to be one of Leonardos youthful works, painted when he was still working in the studio of Andrea del Verrocchio.
It copies an invention of Verrocchios, the shape of the lectern, inspired by the tomb of Piero the Gouty in the church of San Lorenzo, Florence.
The composition follows a centuries old model with the angel on the left, the Virgin on the right, and a lectern in between; the whole depicted in an architectural setting that opens out onto a landscape.